May 182011
 

A strange kind of inertia has set in this week, hence no posts until today. I don’t know whether it is some kind of fall-out from all the excitement leading up to the FA Cup Final last weekend and then the disappointment of not only Stoke City losing but also the manner in which they lost.

The truth is that I have found it hard to get motivated this week.

The creative muse did descend in the early hours of Tuesday morning whilst having a cigarette out on the back deck. I noticed a clump of pecan tree leaves lit by one of the spotlights that illuminates the deck. I think it was something about the light that had me racing into the house for the Ricoh GRD III.

Even with the bright tungsten light of the spotlight, I still had to ramp up the ISO to ISO 800 but the Ricoh’s sensor could cope. Photoshop allows the presence of noise to be reduced in images and their is also proprietary software out there that also cleans up noisy images. I am thinking of Topaz DeNoise™. But with this image, I processed it as I would a shot taken in daylight.

©Calvin Palmer 2011. All Rights Reserved.

You don’t always have to be in exotic and glamorous locations to find good images; sometimes they can be right under your nose in the back yard.

I have also been revisiting shots I took on a trip to Savannah, one of the few city’s close at hand where people walk the streets and provide good subjects for street photography. Savannah is a vibrant place that puts the much larger city of Jacksonville to shame. Of course, the city does benefit from a heritage that Jacksonville sadly lacks, which attracts tourists in large numbers, and it also has the Savannah College of Art & Design, which means plenty of students milling around the place and living in the historic downtown area. In fact, it is hard not to fall over some art student sketching something.

©Calvin Palmer 2011. All Rights Reserved

And people also walk their dogs along Savannah’s historic streets.

©Calvin Palmer 2011. All Rights Reserved.

These two street shots were captured with the Zeiss Planar T* ZE 1,4/50 and Canon 40D. B&W conversion in Silver Efex Pro.

That’s all folks!