Feb 072012
 

Nikon yesterday announced its replacement for the D700 and the rumours and speculation about the specifications of the D800 came to an end.

The new D800 features a massive 36.3 MP on a full frame sensor. Given the size of files such a huge amount of megapixels will create, I should imagine hard drive manufacturers are rubbing their hands with glee. I just hope they can start making hard drives readily available again and at the prices they were before the flooding in Thailand hit production. Something tells me the prices will be kept high in an attempt to recoup losses.

Canon 40D and Zeiss Planar T* ZE 1,4/50. ©Calvin Palmer 2012. All Rights Reserved.

Nikon announced two versions of the camera — the D800 and the D800E. The latter strips away the anti-aliasing filter, a feature of the Leica M9 and Ricoh GXR A12 M-mount cameras — to increase resolution even further. Actually, the anti-aliasing filter is not physically removed from the D800E but its effects are cancelled. A potential buyer of the D800E will pay $300 more than the D800 for this option.  More details of the D800s can be found at Nikon USA.

B&H is taking pre-orders for the D800 and D800E, expected to be available in March and April respectively. Perhaps B&H might give me a hefty discount for that shameless plug.

But I am a Canon user and likely to remain one for the foreseeable future. It will be interesting to see how Canon responds to its arch-rival when it   releases details of the long-waited Canon 5D Mark III. Canon users keep waiting and waiting and waiting for details of this camera to be released. Perhaps the announcement of the Nikon D800 will spur Canon into a timely response.

The Canon 5D Mark II and Nikon D700 were always viewed as head-to-head rivals. When it came to megapixels, the 5D Mark II trounced the D700, offering 21 MP to the latter’s 12.1 MP but Nikon had the edge in terms of low-light ability.

Will Canon surrender to Nikon in the megapixel race or will it respond with an even higher megapixel count in the 5D Mark III to take the wind out of Nikon’s sails?

The greater amount of megapixels is a double-edged sword. On the one hand, 36.3 MP will provide greater detail in photographs and make cropping easier. On the other hand, it will test the resolving attributes of the lenses used and many lenses will fall short of delivering the goods.

One lens manufacturer likely to be able to take advantage of the increased number of megapixesl in the D800s is Zeiss. I would be interested to learn what provision the D800 makes to aid focusing for those photographers choosing to shoot with Zeiss MF lenses.

The D800 will no doubt have many photographers salivating at the prospect of adding it to their photographic gear. Me, I just wish camera manufacturers would get back to basics and provide the digital equivalent of the Nikon F2, Nikon FM, Canon AE-1, Minolta XD7, Olympus OM film cameras.

The video capabilities of the Nikon D800, as with the Canon 5D Mark II, are wasted on me. I am not a videographer and have no desire to use a DSLR as a video camera. It would be most unlikely that the producers of the TV series House would ask me to film an episode with a DSLR, if indeed I had one that boasted video capability.

To me a photograph packs far more impact, and a lasting impact, than any moving video footage. The image of the naked girl running down a road in Vietnam after a napalm attack still lingers in my cerebral cortex, whereas the various graphic newsreels of that war no longer register and have disappeared without trace from my memory.

Perhaps that is where Leica with its uncomplicated M9 camera scores so highly with photographers — it keeps things simple. It is just a pity about the exorbitant price.

Since originally writing this piece, a rumour has surfaced that the replacement for the Canon 5D Mark II will be announced on February 28 and it will be known as the Canon EOS-5D X. Speculation has it that the camera will be available in April in order to deflect attention and potential purchasers from the Nikon D800.

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Dec 302011
 

I have spent quite a bit of this week researching lenses for possible use with the Ricoh A12 M-mount. With my penchant for Zeiss lenses, and the qualities they bring to photographic images, those were an obvious target.

With the A12 M-mount one has to remember that there is a 1.5 crop factor, which means a really wide-angle lens is needed to achieve the 35mm equivalent of a moderate 28mm wide-angle lense.

With Zeiss, the choice is the Distagon T* 18mm f/4, not the fastest of lenses but its rendition is quite wonderful and it would certainly enhance any landscape shots. The only drawback is that it is somewhat pricey.

I also looked at the Biogon T* 35mm f/2, a lens famed for its sharpness at the corners. While looking at the 35mm focal length I came across the Voigtlander Nokton Aspherical 35mm f/1.2. A second version of this lens is due in the stores in January. It is slightly lighter than the original version, which is highly sought after in the second-hand market for the qualities so eloquently admired by a Canadian photographer, known to the world only as Peter, who posts under the nom de plume of Prosophos and has a web site of the same name.

Peter aka Prosophos is a talented photographer. His people shots are something quite special. He has the knack of capturing the perfect expression in his subjects.

His field report on the original version of the Voigtlander Nokton Aspherical 35mm f/1.2  is well worth checking out.

A third focal length I have been looking at is 50mm, which would translate into a 35mm equivalent of 75mm on the GXR A12 M-mount and ideally suited to portraits. Zeiss offers two 50mm ZM lenses – the C Sonnar T* 50mm f/1.5, the ‘C’ denotes compact and classic, and the Planar T* 50mm f/2 .

The C Sonnar T* does have issues with focus shift, which Zeiss acknowledges, and involves a little more care and attention when focusing but the results can be quite sublime, as Mikael Törnwall attests on Luminous Landscape.

Törnwall reports that Zeiss recommends the C Sonnar T* is best used for “emotional, artistic, narrative images, portraits or atmospheric landscapes. For documentation or technical subjects, Zeiss recommends to stop down the lens at least to f/5.6 or to use the Planar T* 2/50 ZM lens”.

Those three focal lengths – 15mm; 35mm and 50mm – would make for an ideal three-lens outfit for the GXR A12 Mount. If I were to add one more it would be the Biogon T* 28mm f/2.8 to give me the 35mm equivalent of a 40mm lens. Remember the classic Minolta CLE film camera had a three-lens kit comprising 28mm, 40mm and 90mm lenses. The Biogon T* 28mm would help fit in with that tradition.

In doing my research, I was thankful that I am not in a position to buy at the moment. Why? None of the above mentioned lenses are in stock anywhere. They seemingly cannot be had for love nor money. The same goes for Leica M-mount lenses. With the advent of the Sony NEX cameras and the A12 M-mount is it a case of the demand for these lenses has grown to where it outstrips supply? Previously the only market for these lenses was people owning Leica, Zeiss or Voigtlander rangefinder cameras and out of those three brands, only Leica offers a digital version.

As much as the Ricoh GXR camera with the A12 M-mount holds considerable appeal in terms of size and weight — the three Zeiss lenses in my proposed three-lens kit have a combined weight just 18g heavier than my Canon 40D body – I still have reservations about using an electronic viewfinder.

I am old school and for me a camera is all about lining up a shot staring through an optical viewfinder. It is what I have been used to for more than 30 years and old habits die hard.

It may be that I am worrying unnecessarily about the EVF. If people would like to share their experiences of using a camera that relies on an EVF, I would be most grateful.

It just remains for me to wish everyone a Happy New Year and all the best for 2012.

Happy trails!

Canon 40D and Zeiss Planar T* ZE 1,4/50. ©Calvin Palmer 2011. All Rights Reserved.

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