I recently upgraded my Mac OSX to the 10.9 Mavericks version. About time, I hear you say but my guiding principle tends to be: If it ain’t broke, don’t fix it!
I still vividly remember an update to Mac OSX Panther that crashed my system and that of many other Mac users worldwide. My days of being an early adopter ceased from that time on. I now prefer to wait a few months to let the initial bugs get ironed out.
Keith Cooper, who runs the Northlight Images website — a valuable source of photography information and excellent reviews – happened to mention he had experienced a problem with the Google Nik Collection after he had upgraded to Mavericks. I checked out the Google Nik Collection website to see if Keith’s problem was widespread. I discovered it wasn’t and also became aware of the existence of Analog Efex Pro 2.
The original Analog Efex Pro had appeared as an icon in the folder when I downloaded the Google Nik Collection in March 2013 but the actual plug-in failed to materialize. Bearing in mind that Google at that time had offered me the entire collection as a free download, I wasn’t about to look a gift horse in the mouth and let the absence of Analog Efex Pro ride.
Analog Efex Pro 2 was a different matter. I now felt like I was missing out on something and so duly downloaded the Nik Collection again and the plug-in arrived in full working order.
I watched the Analog Efex Pro 2 tutorials and put the software to work. The software offers an array of filters to recreate vintage cameras, classic cameras, black & white, toy lenses to name but a few. Within those filters it is possible to control parameters such as bokeh, vignetting, dirt and scratches, and light leaks. And, of course, Nik Software’s control points are available to fine tune the effects.
I find a certain irony in this age of digital photography that we now wish to recreate photographic technology from as far back as the late 19th century, with the Wet Plate option, but such is the human condition. In the age of digital sound — CDs and mp3s – some people still prefer the sound obtained from vinyl. It is not hard to see the origins of the English expression: There’s nowt so queer as folk!
Here is my first attempt using Analog Efex Pro 2 with a vintage camera filter on a color shot.
The same shot with my usual color workflow of Viveza 2 and Color Efex Pro 4.
I enjoyed playing about with Analog Efex Pro 2 and without a doubt it does tend to provide a dramatic impact to color photographs. I must confess to mixed feelings, as part of me cannot help preferring the greater integrity of my usual color workflow using Viveza 2 and Color Efex Pro 4. I use “integrity” in a loose sense since any image is manipulated if subjected to Viveza 2 and Color Efex Pro 4.
I found my “integrity” was not so compromised using the Wet Plate option to convert a color shot to B&W.
It may be that I overstepped the mark a little with my attempts on color images. Subtlety is often the key when it comes to applying effects to images. Sadly, I am not renowned for my subtlety.
I would be interested to hear which versions of these shots readers prefer.
Here is a final shot I processed straight from the RAW dng file in Analog Efex Pro 2, completely bypassing my normal workflow just to see how it fares as a standalone.
I am undecided whether Analog Efex Pro 2 will become a regular feature of my workflow. The jury is still out at the moment. I think it is more likely to be applied to certain shots when the mood takes me. Your feedback could well change my mind.
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