May 292012
 

Memorial Day weekend should have been a time to get out and about with my camera, especially as it coincided with the Jacksonville Jazz Festival. Alas, Tropical Storm Beryl partly put paid to my plans. Sunday’s events at the festival were cancelled and I had to content myself with one day of shooting on Saturday.

The Jazz Festival is the one weekend in the year when downtown Jacksonville takes on the appearance of a bustling and vibrant city. For a Jacksonville photographer, it allows the opportunity to do some street photography, an impossibility during the rest of the year when the downtown area looks as though it has been hit by a neutron bomb.

This year, the festival also coincided with a friendly soccer/football match between the USA and Scotland at the Everbank Stadium on Saturday night. The presence of the Tartan Army and USA soccer fans added to the mix of people and choice of subjects.

Canon 40D and Canon EF 100mm f/2.8L Macro. ©Calvin Palmer 2012. All Rights Reserved.

Canon 40D and Canon EF 100mm f/2.8L Macro. ©Calvin Palmer 2012. All Rights Reserved.

On Sunday, I spent an hour watching a Nik Software webinar given by photographer Derrick Story and featuring shots from his B&W Vegas project. Derrick described his workflow in Silver Efex Pro 2 and also talked a little bit about cameras. His “stealth” camera for candid street photography is the Olympus EP-2, soon to be replaced by the Olympus EM-5 OM-D.

I have to agree that a smaller camera is less conspicuous out on the streets and also less threatening for those people being photographed. But it doesn’t automatically follow that larger DSLR cameras are not up to the task.

I think it is safe to say that a DSLR will guarantee you a shot every time and that is the reason why DSLRs are the camera choice of mainstream press photographers.

I don’t think it is the bulk of DSLRs that people find intimidating but the lens that is attached to the camera.

On Saturday, I shot exclusively with my 100mm f/2.8L IS USM lens. It is a recent acquisition and after shooting for more than 30 years with manual focus lenses, I am enjoying the benefits of an autofocus lens.

Canon 40D and Canon EF 100mm f/2.8L Macro. ©Calvin Palmer 2012. All Rights Reserved.

The 100mm f/2.8L lens is not large in comparison to say the 70-200m f/2.8L zoom lens but it is still large in the eyes of the public. Several times I was asked if I was taking photographs for The Florida Times-Union, Jacksonville’s daily newspaper. That question has never been posed while shooting with my Zeiss Planar T* 1,4/50 lens.

Canon 40D and Canon EF 100mm f/2.8L Macro. ©Calvin Palmer 2012. All Rights Reserved.

A DSLR camera, preferably full-frame, fitted with a prime lens — 24mm, 28mm or 35mm — is still capable of performing as a street photographer’s camera. With those prime lenses, a DSLR camera is certainly far less intimidating. But the best camera of all is the one you have with you.

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