When a new camera is announced, the press release always makes it out to be flawless and the best thing since sliced bread. With the passage of time, reviews begin to appear and a more balanced view begins to emerge. Finally, the camera reaches the hands of early adopters – I mean people who have actually paid out hard earned money to buy the camera rather than photographers invited to try out the new product. With the latter, it is hard to know just how critical they can be about the product. Human nature being what it is, people are reluctant to pan something they have had free access to.
When the Fujifilm X-Pro1 camera was announced, its specifications on paper certainly impressed me – a camera with a hybrid OVF/EVF viewfinder, the former was a great plus; a compact retro design; three small prime lenses; Fujifilm-designed revolutionary 16MP APS-C X-Trans CMOS sensor with no anti-aliasing filter; and a much improved menu from that in the X100.
Most important of all was the mention of an M-mount adapter. Fujifilm has yet to release this adapter but third-party manufacturers have wasted no time in bringing one to market. Such an adapter would allow the use of Zeiss ZM lenses, and you all know how fond I am of Zeiss lenses, as well as Leica M lenses.
The X-Pro1 seems to offer what the Ricoh A12 M-mount lacks, namely a built-in viewfinder; the option of using an optical viewfinder and a 16MP sensor.
Of the three newly-designed lenses for the X-Pr01 — Fujinon XF 18mm f/2 R; Fujinon XF 35mm f/1.4R; and Fujinon XF 60mm f/2.4 R Macro – the first two interested me the most. Given that the crop factor is 1.5, those lenses are the 35mm equivalent of 27mm, 52.5mm and 90mm respectively. The f/2 wide-angle lens would be faster than those offered by Zeiss and Voigtlander. The AF on the 35mm f/1.4 lens would be of great benefit to my ageing eyes.
The Fujifilm X-Pro1 camera was beginning to look good and ticked a great many of the boxes with regard to what I am looking for in a camera.
At this point, I have to make it clear that I have never held an X-Pro1 let alone shot with one. The comments I am about to make are based on reviews I have read and comments posted by early adopters.
No one can argue that the image quality produced by the X-Pro1 is phenomenal, rivaling even full-frame cameras such as the Canon 5D Mark II. Fujifilm gets full marks for the design of the sensor and its new approach to sensor technology. In its review, What Digital Camera, gives the X-Pro1 a score of 20/20 for image quality. Some of the examples I have seen taken by enthusiasts have caused my jaw to drop in terms of the colour and clarity of the images.
The final product emerging from the X-Pro1 can look amazingly good but it is how that final product is achieved where things start to go a little awry.
The AF focus although adequate is described as slow and some users have found a degree of inconsistency. The AF also has a tendency to hunt, particularly in low light. While the AF is fine for static objects, in continuous AF mode it can only keep up with fairly slow-moving subjects.
The three lenses offer manual focus but it is manual focus by wire. Of greater concern is the difficulty in obtaining critical sharpness in both the OVF and EVF modes of the viewfinder. Unlike the Sony NEX range and Ricoh’s A12 M-mount, the X-Pro1 does not feature focus peaking. Fujifilm dropped the ball there and it is hoped it can be introduced with a firmware upgrade. With the lack of focus peaking, the X-Pro1 began to slip off my radar. Techradar’s review concludes by saying:
The hybrid viewfinder is also excellent, although it doesn’t work as well as we might hope when focusing manually.
Several posters on DPReview have also commented on the difficulty of manual focusing and also the EVF freezing when focus is attained. Basically that means the image taken when the shutter is fired is not the image seen in the EVF at the time of focus. That seems a bit of a handicap when it comes to portrait and street photography, two subject areas for which the X-Pro1 is designed.
I have not been overly impressed by the performance of the 18mm f/2 lens, particularly when shot wide open. The lens does not create a pleasant bokeh.
Some samples shot with the 35mm f/1.4 also display a harsh bokeh that deflects the eye from the main subject. The 35mm lens also suffers from “aperture chattering” as it attempts to achieve focus. I think I would find that annoying.
EV compensation is adjusted by a dial on the top of the camera, which offers convenient access but some people have reported accidentally moving this dial while using the camera.
The problem of write speeds is highlighted by Photography Blog. It states:
Shooting a single RAW + Fine JPEG takes about 8 seconds to record to the card, although thankfully you can take another shot almost straight away.
Although the reviews commend the X-Pro1 for being a solidly built camera, What Digital Camera did report that the black paint began to peel off after just a couple of days use. Given the camera body costs $1,700, a “well-used” look after just a couple of days is something most people would expect to find so soon and after such an outlay.
I really wanted to like the Fujifilm X-Pro1 and for a time saw it as the replacement to a bulky DSLR camera but I am afraid my interest has completely waned in the light of the reviews and hands-on experience. And that is a great pity because the image quality it produces really is outstanding.
Until Fujifilm irons out some of the flaws with updated firmware, it is a case for me of the cons outweighing the pros of the X-Pro1.
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